Censorship

When York University adopted its Freedom of Expression policy in 2018, it trumpeted its commitment to freedom of expression as an institutional commitment of the highest priority.

On August 30, 2018, your government, Premier Ford, proclaimed it was going to champion free expression. You were quite clear: “Ontario's Government for the People is delivering on its promise to uphold free speech on every Ontario publicly funded university and college campus, Premier Doug Ford announced today.” You added, "Our government made a commitment to the people of Ontario to protect free speech on campuses. Promise made, promise kept." 

Can we fight racism without chilling expression? The answer must be a resounding yes, but how can we ensure that schools and educators understand their responsibilities to protect their students from censorship and from discrimination both at once? It isn’t easy and it can’t be done in one lesson or even in one course. However, when we avoid discussing race and racism or other forms of oppression out of fear that we are going to be using or permitting the wrong language, or that our motivations will be misunderstood, we become part of the problem.

Historically, stand-up comedy has pushed expressive boundaries and found itself at the forefront of battles over free expression. In Part 1 of this series, I made the case that stand-up comedy, even the deliberately offensive kind, can tell us something important about free expression.

If you want to truly understand free expression and why it’s so vital for a democratic society, you need to immerse yourself in the margins of public discourse. An important subculture that often finds itself at these margins is stand-up comedy, where a variety of controversies are pushing the boundaries of free expression and attracting no shortage of public attention. 

Engaged as I am in the endless fight to protect the rights of creative professionals, I spend way too much of my time reading ridiculous claims by folks who just want free stuff. Ask any writer, musician, artist of any kind; approximately four out of every five interactions around our work involves us explaining that we can’t work for free or give away the product of our work without compensation. The pressure for free cultural product is relentless and exhausting to those who are trying to make a living in culture.